[ZYL]∎ Descargar Free Dark Harvest Norman Partridge 9780765319111 Books

Dark Harvest Norman Partridge 9780765319111 Books

Download As PDF : Dark Harvest Norman Partridge 9780765319111 Books

Dark Harvest Norman Partridge 9780765319111 Books

This was a breeze to read through and read like a 90 minute horror movie script. This is a good thing and a bad thing. It's good because the book wastes no time setting up the premise and goals of the characters (and villains), and rushes towards the climax. It's bad because characters are paper-thin (rebel kid, mean kid, outcast girl, mean sheriff) and there is little reason to care about any of them other than how they are moved about to rush towards the climax.

I'm not sure what winning the Bram Stoker award signifies. Is this a reflection of what passes for the best in horror fiction these days? Is this another sign of the insular nature of fiction "awards"? Is everything written just shooting for multi-volume junior adult novel series or another Netflix original to fill programming space?


Tags : Dark Harvest [Norman Partridge] on Amazon.com. *FREE* shipping on qualifying offers. Winner of the Bram Stoker Award and named one of the 100 Best Novels of 2006 by Publishers Weekly</i>,Norman Partridge,Dark Harvest,Tor Books,076531911X,Horror - General,Coming of age,Horror fiction,Horror fiction.,Middle West,Middle West;Fiction.,Teenagers,Teenagers;Fiction.,110304 Tor Trade-Tor Trade Paperback,FICTION Horror,Fiction,Fiction - Horror,Fiction-Horror,GENERAL,General Adult,Horror,Horror & ghost stories,United States,horror books; horror stories; best horror books; best of horror; horror fiction; best horror novels; supernatural horror in literature; horror literature; horror genre; horror novels

Dark Harvest Norman Partridge 9780765319111 Books Reviews

Imagine reading a bad remake of "Harvest Home"(itself containing elements of "The Lottery") , and in your head you hear it being narrated by Waylon Jennings. This is literally one of the worst, most unoriginal, irritatingly written books I've ever read. How this won any award is beyond me. At 24% I had the plot figured out. Not because I'm smart. Rather, because I've read it before. And better. Scariest thing in the book is the abundance of terrible metaphors. Total waste.
No surprise Stephen King recommends this. He loves his seedy small towns with dark secrets. What I was pleasantly surprised with was the quick-and-dirty fashion to this story. Some people would definitely appreciate more background and worldbuilding. Even I, lover of short and easy reads, hoped for a little more explanation behind the big mystery that unravels regarding the town's history (trying to avoid spoilers here). In any case, I still loved it. My 2nd favorite horror tale since our book club started this year, just behind My Best Friend's Exorcism. The narration alone is a bold choice. It threw me at first, but it soon clicked into place. The narrator paints the story through longwinded, colorful and amusing descriptions. Like Tom Waits rambling half-improvised beat poetry on the Nighthawks At The Diner album. I would love to see Michael Dougherty take a crack at a movie version!
This is the type of book that begs to be read in one sitting. It draws you in not with a Michael Myers stabs-his-sister sort of scene that instantly shocks, but with a whisper around a crackling campfire, a story told in a low voice that makes you draw your jacket around you tighter, sit closer to the flames, and try not to think about what might be watching in the dark behind your back, beyond that bright ring of safety.

I really don’t know why I’ve never heard of this book before! I was completely enamored with the style, which I thought moved seamlessly between second and third person in a way that showed a clear talent for writing that is not as easy to find as you’d think.

It is also the perfect book for the Halloween season.

I loved the way the narrative took pieces of pre-existing legends, some classic Halloween tropes, and creepy small-town vibes and mixed them together to create something entirely new and original. The way the story builds to the ultimate reveal is paced so well and that makes it all the more thrilling and heartbreaking—I truly loved every page.

What I found most compelling about the book was the way the characters grew and shifted throughout the book. You begin the book thinking about everyone one way, putting them all in one specific box, but by the end, it’s all twisted around and no one was exactly who they appeared to be on the outside. I really like that as a storytelling and character-building technique.

This will probably become a seasonal re-read for me. There is just something so evocative about the setting and the characters—it is everything I want from horror and from a damn fine story, and I’ll definitely be searching out more of Partridge’s work.

Also, wouldn’t this make a great movie? Dang, I would watch this.
Without fail, virtually every Recommended Halloween Reads list I see that's worth its salt mentions Dark Harvest, a Bram Stoker Award winner and World Fantasy Award nominee. Any time I ask, or see somebody else asking, for some Halloween recommendations, Dark Harvest invariably comes up. It's one of those titles that is considered a classic by many, a mandatory October read. High time that I read it, then.

And you know what?

I freaking loved Dark Harvest. Presuming I don't suffer any serious blows to head anytime soon, the next time somebody asks me for some Halloween reading recs I'm pretty damn sure Dark Harvest is going to be at the top of my list. Norman Partridge has written an essential Samhain story, and the October Boy is a quintessential piece of Halloween.

Right from this novella's opening pages, I was sucked in. Partridge's authorial voice is mightily effective, the writing tight and hypnotic. The first few pages are devoted to corn stalks withering and weeds growing - in less capable hands, this stuff would not be even the least bit attention grabbing and yet Partridge demands your full attention, luring you in as he breathes life into the October Boy, a supernatural scarecrow-like being with with a carved pumpkin head. Every year, the October Boy comes to life, hunting the teenage boys of a small town and hacking his way through those hunting him in return. Rest assured, there's a bit more going on here, but I won't spoil the details.

For the entire duration of Dark Harvest, I found myself lost in Partridge's narrative. I didn't want to leave his story world. I could not and did not put the book down until I was finished. It's incredibly rare that I'm able to read anything of a substantial page count in a single sitting, and yet I did so with Dark Harvest. I don't even remember the last time something like that happened. Given the insurmountable nature of my TBR pile, I don't allow myself the luxury of re-reading my favorites, and yet I'm already anticipating cracking this book open again come next October.

Dark Harvest is an award winner, a classic according to more than a few, a must-read Halloween treat. Turns out, there's a damn good reason for that. Partridge has given us one hell of a bounty with this particular harvest, one that I suspect is going to keep on giving year after year.
This was a breeze to read through and read like a 90 minute horror movie script. This is a good thing and a bad thing. It's good because the book wastes no time setting up the premise and goals of the characters (and villains), and rushes towards the climax. It's bad because characters are paper-thin (rebel kid, mean kid, outcast girl, mean sheriff) and there is little reason to care about any of them other than how they are moved about to rush towards the climax.

I'm not sure what winning the Bram Stoker award signifies. Is this a reflection of what passes for the best in horror fiction these days? Is this another sign of the insular nature of fiction "awards"? Is everything written just shooting for multi-volume junior adult novel series or another Netflix original to fill programming space?